French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.  Related Paintings of Edgar Degas :. | Ballettsaal der Oper in der Rue Peletier | Absinthe Drinker | dancer wearing shoes | In the front of mirror | Four dansoser |
Related Artists:
Jan Josef Horemans the Elder
1682-1759 Dutch Jan Josef Horemans Galleries He was a pupil of the sculptor Michiel van der Voort I and then of the Dutch painter Jan van Pee (before 1640-1710), who was active in Antwerp. Horemans joined the Guild of St Luke in 1706-7. He appears to have followed in the footsteps of the 17th-century Flemish genre painters, executing a few portraits and a large number of small anecdotal pictures that were highly prized on the market. In paintings such as the Village School and the Cobbler's Shop (both 1712; Vienna, Ksthist. Mus.), the Musical Company (1715; Brunswick, Herzog Anton Ulrich-Mus.) and the Card-players (Florence, Uffizi) he represented scenes from contemporary everyday life that combine observation with a certain degree of stiffness. Most of his paintings are signed. In 1746, together with his son Jan Josef Horemans II, he painted the Abbot of St Michel Visiting the Order of the Fencing Oath (Antwerp, Kon. Mus. S. Kst.).
GIAMPIETRINO
Italian Painter, known ca.1500-1540
Oscar Bluemner
German-born American Painter, 1867-1938,was a German-born American Modernist painter. He was born in Hanover, Germany. He moved to Chicago in 1893 where he freelanced as a draftsman. He relocated to New York in 1901. In 1910 he met Alfred Stieglitz, who introduced him to the artistic innovations of the European and American avant-garde. Then in 1915 Stieglitz gave him a solo exhibition at his gallery, 291.